[{"attributes":{"width":"133"},"insert":{"image":"https:\/\/meerkat-girl.tokyo\/storage\/images\/uploaded\/statement\/67d3a66c2bdbe.jpeg"}},{"insert":"\n\nPhoto by Kurosuzume\n\n"},{"attributes":{"italic":true},"insert":"I believe that contemporary art intervenes in the world as a barracks (temporary temporary architecture)."},{"insert":"\n"},{"attributes":{"italic":true},"insert":"I actively research the classical artists' works and approaches to traditional performance art and painting. It is my aim that my historical paintings will react to the maximally systematized and efficient modern society in the most inefficient way possible."},{"insert":"\n\nBorn in Kagoshima, Japan in 1998, currently residing in Tokyo, Japan in 2025.\n\nWorks mainly in painting and performance. In performance, he uses familiar motifs such as \u201conline meetings,\u201d \u201cYurukyara,\u201d \u201cbaseball,\u201d and \u201cpainters\u201d to create devices to share space and emotion with the audience. In painting, he reinterprets the structure of classical historical paintings, and paints representations of the human figure and human body as a practice that asks the question, \u201cWhat is performative in the modern age? He also manages an archive platform for ongoing activities with artists of the same generation.\n\n\nCV\n"}]